She enters a new dimension in the chorus, switching from narrator to first-person, trading a Drake-like rhythmic delivery for her usual lithe, crystalline singing.
Meanwhile, as if recreating the slipperiness of Bunny, Polachek darts through various images (blazing fireworks, a wet palette, a cut check), never resting long enough for you to grasp what’s next.
#Remix star one episode 100 Pc#
It’s a characteristic display of PC Music alum Harle’s impulse to simultaneously send-up and pay homage to popular forms, with results too deliciously crisp to read as a joke. –Puja PatelĬasting off the gossamer avant-pop of 2019’s Pang, Polachek and producer Danny L Harle opt for a sound that is both commercial and weird: a deep, juicy bassline befitting of the Top 40, a “ yoo hoo” whistle, a sample taken from Harle’s giggling baby, even marimba plinks that conjure an island vacation with Kygo. It’s a one-act play of existential malaise and a sardonic anthem for those who can't help but seek out the spotlight. There’s some humor to it all forlorn, she recognizes that the world never stops turning, and that it’s fine to lie to ourselves if it helps pass the time. The song unfolds as a balancing act of vulnerability and expectation, of altruistic self-expression and the vanity of wanting to be seen, or even adored. “Working for the Knife" is her brooding, melancholic first major single back from this respite, and acts as an incisive warning about how much of our identity we give to our life’s greatest undertakings, and who we’re giving it up for. After a long and grueling world tour supporting her breakthrough album Be the Cowboy, the singer took time off in 2019, saying she needed a break from the “constant churn” of performance. Mitski would like to have a word on that. Published on Afrozons Radio Guest Mix (08.30.The saying goes that if you do what you love, you’ll never have to work a day in your life. His mission as a DJ is to build a diverse and forward-thinking community, open to fresh sounds and experiences. In 2022, the Chicago Reader recognized Mochi for “Best career breakout by a DJ” in their annual Best of Chicago edition.įor Mochi, music is a universal language that has the unique power to connect people. Mochi frequently travels throughout North America, appearing on stages in New York, Los Angeles, Miami, Toronto, Denver, Indianapolis, and Portland. He has performed at Soulection's “Link Up” event, spun official after-parties for Afrobeats superstars like Burna Boy and BNXN (FKA Buju), and directly supported global talent, including Tame Impala, Lizzo, Tierra Whack, and Juls. Mochi’s versatility as an artist has led him to a variety of high-profile bookings. As a brand, Global Currency has officially partnered with Red Bull, featured top DJs from around the country, and headlined multiple music festivals to date. Since landing a new home at Sleeping Village at the start of 2022, the event has quickly emerged as one of Chicago’s hottest dance parties. In 2020, amidst the height of the COVID-19 pandemic, Mochi co-launched Global Currency, a live-stream event on Twitch celebrating international sound system culture.
Since relocating to Chicago in 2016, he has brought his sound to dozens of venues across the city, landing residencies at local hot spots like Soho House, Ace Hotel, and Blind Barber. Mochi got his start spinning records as a student at the University of Oregon, where he hosted several radio programs on KWVA 88.1 FM. From Hip-Hop and R&B to Afrobeats and Dancehall to Amapiano and House, his selections transport audiences to clubs around the world. He is recognized for his worldwide outlook on music, seamlessly weaving together crowd favorites with lesser-known gems and remixes spanning the globe. DJ Mochi is a Chicago-based DJ, producer, and event curator.
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